Let me start by saying this film wrecked me in the best possible way. From the opening shot of Lester's monotone narration over suburban rooftops, I knew I was in for something special.

The way Kevin Spacey portrays Lester's midlife awakening is both hilarious and heartbreaking. I found myself laughing at his deadpan delivery one moment ('I want to look good naked!'), then clutching my chest the next as he rediscovers simple joys like smoking weed in his garage.

That plastic bag scene? Absolute genius. What could've been pretentious became profoundly moving through Wes Bentley's quiet performance. I've caught myself staring at floating grocery bags ever since - there's unexpected beauty everywhere if you really look.

Annette Bening's Carolyn is terrifyingly relatable - her perfect-hostess facade cracking during that failed real estate showing hit too close to home. The dinner table scenes between the Burnhams made me squirm with recognition.

The cinematography deserves its own praise. How Conrad Hall makes a rose petal-covered teenager or a floating plastic bag feel equally transcendent... pure magic. Thomas Newman's score still plays in my head during quiet moments.

This isn't just a movie - it's a mirror held up to modern life. Twenty years later, its questions about happiness, authenticity and breaking free from societal expectations feel more urgent than ever. The Sapphire Series transfer makes every frame glow like never before.

Fair warning: You'll emerge from this viewing seeing beauty in strange places, questioning your life choices, and possibly developing a strange attachment to plastic bags caught in the wind.